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Audio II

Signal Processing

Review for exam:

 

How is a VGA like a valve?

What do the terms VST, DirectX, RTAS, and TDM mean when talking about plug-ins?

What is an “Algorithm” when talking about reverb?

What is the difference between plate and spring reverb?

What is the difference between Inline routing and sidechain routing?

What does EQ (equalization) refer to?

What’s the difference between a graphic EQ and a parametric EQ?

What is the Mix control and what does it do on a delay plugin?

What is meant by Wet and Dry?

Define Bandwidth and Q

Know the following terms: EQ Shelf filter, Rolloff frequency, Highpass filter, notch filter, Lowpass filter

Why would RMS be a better way of measuring signal strength than just looking at peaks?

Describe the function of the audio compressor.

What setting determines when a compressor will go into action?

What setting determines the extent of compression?

What are the three components making up reverberation cues?

Narrow bandwidths of sound may be attenuated with which filter (Shelf, low-pass, high-pass, or notch)?  Which would remove the low frequency spectrum of sound?

 

 

Other terms:

Headroom

VU Meter

Threshhold

Knee

Soft-knee

De-esser

Limiter

Multiband compressor

Linking compressor (or “Key” input)

Expander

Noise Gate

Phasing

Flanging

Chorus

Slapback

Doubling

Reverberation

Direct signal

Early reflections

Hall

Chamber

Room

Live (Stage)

Reverse

Gated reverb

Impulse response reverb

Convolution reverb

Deconvolution

Spatialization

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This week we’re having fun with Protools. Projects you’ll get graded on are:

Post project
Voice Mail Message

Make sure you’ve completed both by Friday.

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Have your books handy in case I let you use them for a few minutes at the end of the testing - This exam covers our vocabulary drawn from the following old and new material:

[Be prepared to write definitions!]

Phase cancellation

Harmonic series (overtones)

transducer

MIDI

Amplitude

Frequency

Hertz

SPL

Decibel

Timbre

Beats

RMS

Decay

Ribbon Microphone

Dynamic Microphone

Condenser Microphone

Self-noise

Microphone Patterns:  (Omnidirectional, Cardioid, Supercardioid, Hypercardioid, Bi-directional, Figure-8)

Rejection

3 to 1 rule

Proximity Effect

Comb filtering

Phantom power

Frequency response

Preamp

Four stereo miking techniques:  (Spaced pair, X/Y, M/S and Decca Tree).

DI Box

 

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I found some exciting videos on youtube that beautifully illustrate sound propagation as well as the basic characteristics of a sound wave.  The last video deals with microphone types, how they work, and when/where to use them.  Enjoy!!!

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Today we had a small class due to inclement weather.  We had 4 excellent article reports and watched Sweep the Leg by No More Kings. 

 

The link for the free subscription to TapeOp magazine is here:

http://tapeop.com/subscription/index.html

We’ll retake the Chapter 1 & 2 exam on Friday.  Buy the books and read them!

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An important message from our Commander-in Chief:

Dear MUI Students,

I’m writing to remind you of our guest speaker on campus this Tuesday.  We are fortunate to have Larry Marchese on campus to speak with our MUI students and any others that wish to join us.  Larry  currently serves in a managerial role with MakeMusic Inc., a company noted for their Finale music notation program.

As a manager for MakeMusic, Marchese works throughout the southeastern United States, promoting MakeMusic products including the SmartMusic learning program  and Finale music notation software.  Larry joined Sibelius USA as their second employee in 1998 and fulfilled several roles for the new company in the subsequent nine years. He worked extensively with music educators and district decision-makers in presenting technology solutions and managing the sales process.  Prior to joining Sibelius USA Marchese also served as a product manager for Peavey Electronics, one of the largest suppliers of musical instruments and professional sound equipment in the world. In addition to holding other positions in the music industry, Marchese is also a multi-instrumentalist, and continues to be an active music-maker.

Larry will be speaking in three classes on Tuesday, August 26th.  All music industry majors are invited and strongly encouraged to attend:

10:00 AM       Careers in Music – Larry will speak to the Survey of the Music Industry class about his journey in the music industry and career opportunities.  (Studio A/Choral Room)

2:00 PM         Finale 2009 – Larry will present various technologies from MakeMusic in our Music Technologies class including Finale 2009. (Smith 103 – Music Technologies Lab)

3:00 PM         Songwriting – Larry will present the Finale Songwriter software in our Songwriting class. (Smith 103 – Music Technologies Lab)

Please add these presentations to your calendar.  I look forward to seeing you there.

Best wishes.

RWS

Robert W. Smith, Professor of Music
Coordinator, Music Industry/General Music Program

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Today we’ll wrestle with the 2nd lesson w/ Everest’s Critical Listening skill text and have a vocab test on the first 2 chapters.  If there’s any time left, we’ll have a oral report or two from those of you who finished with the journals. 

Monday and Friday of next week will have some lecture, but mainly we need to have presentations, due to the large amount of music majors going with the band to  Middle Tennessee State University on Wednesday and Thursday.

If anyone has any concerns about grades, etc… please see me.  

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Today we watched a bit of Method One in preparation for the protools first exercise.  Remember to review your vocab for Chapters 1 & 2 in preparation for a brief test on Friday.  We will attempt to finish the 2nd listening skills lesson, too!   Go ahead and read the first 2 chapters in Protools 101 version 7.4 in preparation for next week.

 

 

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Examples from class of phase interferenece:

http://www.acoustics.salford.ac.uk/feschools/waves/super2.htm

 Phase Cancellation and the 3 to 1 rule explained:

http://www.recordingeq.com/articles/321eq.html

A Podcast about Phase Cancellation,  Parametric EQ and tracking with Compression

http://thrs.wordpress.com/2008/06/17/podcast-001/

And a Wiki about phases:

http://www.wikirecording.org/Phase

Make your own beats here (seriously)

http://www.indiana.edu/~emusic/etext/acoustics/chapter1_phase3.shtml

but this is a great e-text and if you visit, you’ll learn lots!

http://www.indiana.edu/~emusic/etext/acoustics/chapter1_intro.shtml

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